Juliet Palmer is known as a “post-modernist with a conscience” (The Listener) whose work “crosses so many genres as to be in a category of its own” (Toronto Star). Hailing from Aotearoa-New Zealand and based in Toronto since 1997, Juliet was Artist-in-Residence at Sunnybrook Research Institute in 2018 and recently completed a Chalmers Arts Fellowship researching music and sound outdoors. Selected works: Every Word Was Once An Animal with artist Carla Bengtson, biologist Emilia Martins, choreographer Darion Smith and ceramicist Jessie Rose Vala, (Jordan Schnitzer Museum of Art, Oregon); Choreography of Trauma (Continuum and The Element Choir); Ukiyo, floating world, for video and ensemble (Urbanvessel and Thin Edge New Music, Toronto); Oil and Water (Detroit Symphony Orchestra); Inside Us, audio-video installation and performance (Western Front, Vancouver); Warsaw, January 2011, with Miriam Harris (Best in the New Media category, New Media Film Festival, Los Angeles); Sweat, a cappella opera, librettist Anna Chatterton (National Sawdust, New York and CalArts, Los Angeles); and TOUR with Millie Chen (Albright-Knox Art Gallery).